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		<title>TheChairman: Created page with &quot;==Article Transcript== It's never long before Yves Demers is inspired with new ideas which he then brings to successful completion. We've already presented Yves' work in a pre...&quot;</title>
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		<updated>2020-08-05T09:31:35Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;==Article Transcript== It&amp;#039;s never long before Yves Demers is inspired with new ideas which he then brings to successful completion. We&amp;#039;ve already presented Yves&amp;#039; work in a pre...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Article Transcript==&lt;br /&gt;
It's never long before&lt;br /&gt;
Yves Demers is inspired&lt;br /&gt;
with new ideas which he&lt;br /&gt;
then brings to successful&lt;br /&gt;
completion. We've already&lt;br /&gt;
presented Yves' work in a&lt;br /&gt;
previous issue of EF, and&lt;br /&gt;
think his latest creations are&lt;br /&gt;
well worth writing about!&lt;br /&gt;
&lt;br /&gt;
'''Yves Demers' 3D Oversized Caricatures'''&lt;br /&gt;
Yves Demers put to use the considerable knowledge he had gained building 3D&lt;br /&gt;
structures during his 19 years of work in the Christmas decoration industry to sculpt&lt;br /&gt;
oversize caricatures. With the help of his talented caricaturist and illustrator friend,&lt;br /&gt;
Patrick Dea, who did the drawings, Yves was able to create caricature heads that&lt;br /&gt;
were 7 feet high. The end result was an acclaimed success.&lt;br /&gt;
&lt;br /&gt;
His procedure is as follows: He first built a framework of wood, polyurethane and&lt;br /&gt;
metal, then sculpted the clay over this sturdy support with the help of his sister and&lt;br /&gt;
sculptor, Danielle Demers. The weight of the clay, at around 1000 pounds, requires&lt;br /&gt;
a strong structural support. After each head was sculpted in clay, it was covered with&lt;br /&gt;
fibreglass. Since the finished product will be used in a parade, it has to be both light&lt;br /&gt;
and strong at the same time. And, the clay must not be allowed to dry out so that it&lt;br /&gt;
can be reused for each of the other caricatures. Otherwise, it would be too costly.&lt;br /&gt;
&lt;br /&gt;
A fibreglass mold is then made over top of this. It would of course be easier to do&lt;br /&gt;
a latex mold, but again prohibitive costs influence the artist's decision. The clay&lt;br /&gt;
is removed from inside the mold, a protective, release sprayed inside, and two&lt;br /&gt;
layers of fibreglass are then poured into the mold. The outer mold is then removed&lt;br /&gt;
from the inner, two-layered shell, which becomes the fibreglass caricature which&lt;br /&gt;
is colored with highly resistant paint and varnish. Then he assembles a structure&lt;br /&gt;
inside of it, in order to hold the caricatured head on the person who will parade&lt;br /&gt;
with it once it’s done.&lt;br /&gt;
&lt;br /&gt;
It took 300 hours for Yves to do his first giant-sized caricature and 125&lt;br /&gt;
hours for each of the additional three. The models Roberto Benigni,&lt;br /&gt;
Whoopi Goldberg, John Cleese and Martin Short were made for Just For&lt;br /&gt;
Laughs in Montreal who commissioned the company Artefact which in turn&lt;br /&gt;
hired Yves for the project.&lt;br /&gt;
&lt;br /&gt;
'''Yves Demers’ transparent air bubble'''&lt;br /&gt;
Yves had already designed a few inflatable structures when he decided&lt;br /&gt;
to build his own transparent bubble so he could comfortably draw retail&lt;br /&gt;
caricatures outdoors during cold weather. Made out of transparent plastic, this&lt;br /&gt;
bubble is attracts lots of attention because of its unusual form.&lt;br /&gt;
&lt;br /&gt;
Before beginning his bubble, he made several prototypes because of the&lt;br /&gt;
complexity of the work. Since forms the basic shape of the bubble, rather&lt;br /&gt;
than using tubular structures such as found in tents, he had to be very careful&lt;br /&gt;
to keep the pressure inside the bubble without losing air through leaks. The&lt;br /&gt;
door was the hardest part. Actually, entry is through 2 doors: after opening the&lt;br /&gt;
first one, it has to be closed before opening the second, to keep the pressure&lt;br /&gt;
constant within the bubble for it would deflate in seconds if the both doors&lt;br /&gt;
were opened at the same time.&lt;br /&gt;
&lt;br /&gt;
Things that appear simple are often the most complex to create. Hundreds&lt;br /&gt;
of hours were spent on this project. The 16 strips of plastic that create the&lt;br /&gt;
bubble could not be sewn together because the small holes created by the&lt;br /&gt;
sewing machine would allow air to escape and deflate the bubble. Usually,&lt;br /&gt;
the strips of plastic are melded together with a very expensive machine that&lt;br /&gt;
is simply prohibitive to purchase by do-it-yourselfers. As he often does, Yves&lt;br /&gt;
found a very inexpensive way to glue the strips of transparent plastic in such&lt;br /&gt;
a way that the different parts hold together even more tightly than with the&lt;br /&gt;
expensive melding machine. The bonds between the 16 strips are stronger&lt;br /&gt;
and more resistant to lower temperature than what Yves saw available on the&lt;br /&gt;
market.&lt;br /&gt;
&lt;br /&gt;
In direct sunlight, the bubble becomes rapidly overheated so it must be&lt;br /&gt;
placed in the shade. In cold weather, during winter time, Yves works in a tshirt&lt;br /&gt;
in his bubble, with an electrical outlet to heat the air inside.&lt;br /&gt;
So if some of you ever come to Montreal in winter when it’s 30 degrees below&lt;br /&gt;
zero, you may find a caricature artist in a transparent bubble working in his&lt;br /&gt;
t-shirt, outside, in Place Jacques Cartier.&lt;br /&gt;
&lt;br /&gt;
''Robert Lafontaine is a caricaturist. He is the main organizer of the caricature event 1001Visages that will take place on the 5 and 6 of October 2012 in Val-David, Québec, Canada (www.1001visages.com)''&lt;br /&gt;
&lt;br /&gt;
{{2012.2Navbox}}&lt;/div&gt;</summary>
		<author><name>TheChairman</name></author>
		
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