Difference between revisions of "From the Editor (Exaggerated Features Issue 2020.3)"

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| italic title      = From the Editor (2020.3)<!--(Article title goes here and in the 'name' field below.)-->
 
| italic title      = From the Editor (2020.3)<!--(Article title goes here and in the 'name' field below.)-->
 
| name              = From the Editor (2020.3)
 
| name              = From the Editor (2020.3)
| image            = LftP2020.3.png<!--(If no good single image is suitable, use a screenshot of the first page of the article)-->
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| image            = FromTheEditorGraphicDebbo.png<!--(If no good single image is suitable, use a screenshot of the first page of the article)-->
 
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| alt              =  
| caption          = Caricature by [[Valentin Chibrit]]
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| caption          = Caricature by [[Court Jones]]
| author            = [[Tom Faraci]] <!--(use [[name]], <br/> [[name]], <br/> to list multiple authors or subjects)-->  
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| author            = [[Debbie "Debbo" Burmeister]] <!--(use [[name]], <br/> [[name]], <br/> to list multiple authors or subjects)-->  
 
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| illustrator      =  
| subject          = <!--(acceptable subjects include: Editorial, Op/Ed, Article, Interview, How-To, Member Spotlight, etc. Multiple subjects see multimple authors)-->
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| subject          =<!--(acceptable subjects include: Editorial, Op/Ed, Article, Interview, How-To, Member Spotlight, etc. Multiple subjects see multimple authors)-->
 
| genre            = {{unbulleted list|[[Editorial]],|[[From the Editor]]|}}
 
| genre            = {{unbulleted list|[[Editorial]],|[[From the Editor]]|}}
 
| published        = [[EF Issue 2020.3]]
 
| published        = [[EF Issue 2020.3]]
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==Article Transcript==
 
==Article Transcript==
[[File:EF2020.3_Page_04.jpg|266px|thumb|right|''Letter From The Prez'' as it appears in [[EF Issue 2020.3]]]]
+
[[File:EF2020.3_Page_02.jpg|266px|thumb|right|''From the Editor'' as it appears in [[EF Issue 2020.3]]]]
Dear ISCA Friends and Family,
+
Welcome to another issue of Exaggerated Features,
 +
the quarterly trade publication of the International Society
 +
of Caricature Artists. I hope everyone is hanging
 +
in there. 2020 continues to be a challenge for many in
 +
various ways.
  
Summer is now behind us, and if you’re
+
Just like our last issue dealt with the COVID-19 crisis,
like me, you’ve spent it in some form of
+
this one also reflects what is going on in the current
isolation, witnessing the COVID-19 story
+
environment, at least in America. In this issue, we are
develop further, and each day seemingly
+
focusing on the Black Lives Matter movement.
bringing a new tragedy to our attention.
 
With events and gigs canceled, I had a lot
 
of time to reflect and contemplate this moment
 
we’re living through. And so did many
 
of you, it would seem. The death of George
 
Floyd at the end of May set off a storm of
 
responses —peaceful
 
protests, violent
 
riots, and universal artistic expression at
 
a scale I don’t believe I’ve witnessed prior
 
in my lifetime. I could feel a collective grief
 
that had permeated into our community of
 
caricature artists. It was all overwhelming,
 
and with the flood of artwork memorializing
 
Mr. Floyd and catapulting Black Lives
 
Matter to the front of everyone’s minds
 
—it
 
was a lot to take in. It was upon seeing
 
tribute after tribute, all lovingly illustrated
 
by ISCA members and artists not affiliated
 
with our community, that I began to
 
understand that this moment was something
 
new. The horrors of systematic racism
 
had reached a new, broader audience and
 
our community was speaking out. As an
 
organization, to not explicitly show support
 
in this moment would be to be complicit in
 
the racism itself.
 
  
How should ISCA move forward in light of
+
One thing I have wanted to do for a while is have a
this social awakening? Why should ISCA
+
guest editor step in from time to time. It would be
make a statement at all? The answers
+
very reminiscent of what MTV did back in the 80s
seemed pretty obvious to me. First, we
+
when they had guest VJs (Video Jockeys.) Those
have black artists in our community. I had
+
guest VJs would pick the video content for the two
to ask if ISCA has been representing them
+
hour segment, just as our guest editor would pick
as well as we could be. And I think we can
+
and even provide some of the content for the current
do better, and I think we can do more.
+
issue. Tom Faraci and I decided this would be a great
Second, there are black artists who are
+
issue to implement our first guest VJ—I mean—
not members of ISCA. It made me wonder
+
guest
how big the disparity was and how we
+
editor. Tom recommended fellow caricature artist
could reach these potential members. So I
+
Clarence D. Meriweather. It was great to work with
reached out to a dear friend and colleague
+
Clarence on this, and I feel his perspective on the
of mine, Clarence Meriwether, and I asked
+
Black Lives Matter movement was more important
him to guest edit this issue of Exaggerated
+
than anything I could offer. You can find out all about
Features. I had a few goals for this issue,
+
him starting on page 2.
goals that required a voice that wasn’t mine
 
or Debbo’s. With this issue, we wanted to
 
put a spotlight on black artists within ISCA
 
and reach out to a few who aren’t members
 
as well. The second goal was to amplify
 
those artists’ voices by making this issue
 
available publicly. I think ISCA has work
 
to do in better representing the BIPOC
 
community, and we are working to address
 
that, starting right here with this magazine.
 
It’s not lost on me that there are narratives
 
surrounding Black Lives Matter that make
 
it a divisive topic. Whether you support,
 
oppose, or have yet to find your place in
 
the conversation, I sincerely hope you read
 
the stories and experiences of your black
 
colleagues in this issue with an open mind.
 
With that said, I’ll let Clarence take it from
 
here. His letter begins on page 4.
 
  
Before I sign off for this issue, though, I
+
Also, if you have not signed up for the virtual version
want to address this year’s ISCAcon. For
+
of this year’s convention, be sure to check out the
one week every November, hundreds of
+
Mailbox Mayhem ad in this issue.
ISCA members from around the world
 
descend on a city (this year was supposed
 
to be held in Las Vegas) to draw, compete
 
and learn. It truly is one of the best experiences
 
I’ve been privileged to be a part
 
of, but surely you can see how that may
 
not be ideal during an ongoing pandemic.
 
In July, we made the call to postpone
 
the Vegas con to 2021. In its place, we’ve
 
been developing ISCAcon29: Mailbox
 
Mayhem! We want to capture as much of
 
the ISCAcon experience as we can online,
 
while also utilizing the strengths of the
 
virtual format. So for $55 (plus shipping,
 
if not in the US) ANYONE can participate.
 
This con is open to members and
 
non-members alike. ISCA members will
 
still be able to compete, display their art,
 
and participate in live Q&A sessions with
 
some of our guest speakers. Everyone
 
who registers by October 24th will get
 
a box of con swag mailed to their house
 
- including a T-Shirt designed by Kev
 
Jackson, an exclusive comic book edition
 
of Exaggerated Features, an enamel pin,
 
art supplies, and some other surprises! The
 
event itself will be held on Discord Nov.
 
15-20. We have a great lineup of speakers,
 
including Bill Morrison, Asia Ellington,
 
Andrew Farago, Wilfrid Wood, Celestia
 
Ward, Kelly O’Brien, Hitomi Ishihara, and
 
Rob Dumo! As is tradition, the drawing
 
room will be open 24/7 until voting begins.
 
While we won’t be awarding The Golden
 
Nosey this year, many awards will be given
 
for new and classic categories and competitions.
 
We’re excited to see all of you in
 
November, even if it can’t be in person.
 
  
Lastly, if you’re not a member of ISCA,
+
As always, we welcome your content for future issues.
and you would like to be, you can join our
+
Do not hesitate to get in touch if you have an idea that
organization at www.caricature.org (You
+
you think other caricature artists would like to hear.
can also register for Mailbox Mayhem +
+
Thanks and stay safe!
Membership as a bundle to save some
 
money).
 
Please, stay safe and stay healthy.
 
  
Tom Faraci<br/>
+
Debbie “debbo” Burmeister<br/>
''President of the International Society''<br/>
+
Exaggerated Features<br/>
''of Caricature Artists''<br/>
+
Editor/Art Director<br/>
tomfaraci@caricature.org<br/>
+
efeditor@caricature.org<br/>
 +
Instagram @DebboArt<br/>
 +
 
 +
==See Also==
  
 
==External Links==
 
==External Links==
* [http://TomFaraci.com TomFaraci.com]
 
* [http://AmericanCaricature.com American Caricature]
 
 
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Latest revision as of 23:21, 15 February 2021

From the Editor (2020.3)
FromTheEditorGraphicDebbo.png
Caricature by Court Jones
AuthorDebbie "Debbo" Burmeister
Genre
PublishedEF Issue 2020.3
Publication date
Fall 2020
Media type
  • Print,
  • Digital
Print, Digital
Pages1
Website

Letter from the Editor, Fall 2020

Article Transcript

From the Editor as it appears in EF Issue 2020.3

Welcome to another issue of Exaggerated Features, the quarterly trade publication of the International Society of Caricature Artists. I hope everyone is hanging in there. 2020 continues to be a challenge for many in various ways.

Just like our last issue dealt with the COVID-19 crisis, this one also reflects what is going on in the current environment, at least in America. In this issue, we are focusing on the Black Lives Matter movement.

One thing I have wanted to do for a while is have a guest editor step in from time to time. It would be very reminiscent of what MTV did back in the 80s when they had guest VJs (Video Jockeys.) Those guest VJs would pick the video content for the two hour segment, just as our guest editor would pick and even provide some of the content for the current issue. Tom Faraci and I decided this would be a great issue to implement our first guest VJ—I mean— guest editor. Tom recommended fellow caricature artist Clarence D. Meriweather. It was great to work with Clarence on this, and I feel his perspective on the Black Lives Matter movement was more important than anything I could offer. You can find out all about him starting on page 2.

Also, if you have not signed up for the virtual version of this year’s convention, be sure to check out the Mailbox Mayhem ad in this issue.

As always, we welcome your content for future issues. Do not hesitate to get in touch if you have an idea that you think other caricature artists would like to hear. Thanks and stay safe!

Debbie “debbo” Burmeister
Exaggerated Features
Editor/Art Director
efeditor@caricature.org
Instagram @DebboArt

See Also

External Links

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