Changes

Jump to navigation Jump to search
no edit summary
| border = yes
| alt =
| caption = <!--(If the infobox photo needs a caption, that can be put in this field.)-->As per the tradition, last year’s Golden Nosey winner,Jason Seiler, has the honor of caricaturing this year’s bigwinner, Glenn Ferguson. Here’s what Jason had to sayabout his take on the cover:
| author = <!--(use {{unbulleted list|Author One|Author Two|Author Three}} to list multiple authors or subjects)-->
| illustrator =
[[File:RelevantImage2.jpg|266px|thumb|right|For an image relevant to the article]]
[[File:RelevantImage3.jpg|266px|thumb|right|For an image relevant to the article]]
Greetings, fellow caricaturists! I believe we are all cut from the same cloth in that we LOVE caricature. I’ve found that after 20 years of doing caricature, I still love it. It’s still one of the hardest things to do, and yet it remains so stinkin’ cool. I find it difficult because the image I envision in my head sometimes requires a lot of effort to pull off. Sometimes I have to push through mediocrity and make the image look like the image in my mind. Other times, what comes out of my hand feels half-baked and I bail on the image. If it’s a paying job, I hang tight until it rises to the level in my head. Caricature is tough, and I’ve found there are no slam dunks.
Just when I thought Woody Allen was a piece of cake on a gig a few years backAs per the tradition, my attempts were mediocre at bestlast year’s Golden Nosey winner, as I struggled late into the night. I went to bed feeling like a loser and got up early and attempted Woody with a fresh mind and fresh eyes. BoomJason Seiler, it worked! So has the moral honor of the story is, if you strugglecaricaturing this year’s bigwinner, join the clubGlenn Ferguson. Slap mediocrity in Here’s what Jason had to sayabout his take on the face and press on and know that each struggle is only making you stronger.cover: What I hope to do here in my step-“I can hardly think of Glenn without also thinking of JoAnn by-step is unpack my thinking and give principle over just copying my moveshis side. I worked this piece digitally and I’m using They are a prismatic palette. I have included the palette in this tutorial great couple, both filled with somuch character and it could prove helpful to youobvious love for one another. There really are no wrong ways to paintSo obviously, but I enjoy working couldn’t paint this wayyear’s Gold Nosey winnerwithout his trusty companion. The idea behind this palette is I’m not sure who wanted that the colors in the light have a yellow hue (the sun) on top of Gold Nosey more, Glenn or JoAnn? Hee Heee! I canpicture them at home watching CSI Miami, and taking turns holding the colors in the shadows Nosey, hugging it, kissing it, and finallyreading it good night stories before bed. I’m sure there will be situations when JoAnn will have a violet hue on top of them. The palette is divided up into two sections: to remove the light effect (yellowish) Nosey and the shadow mass (violety)hold Glenn back .I would encourage you to Google “prismatic palette” to get a full understanding of it. It’s a totally logical way to paint. Have fun.‘Not now Glenn, you can hold your Nosey later!’ Congrats, Glenn!”
===== Step One: Main Swipe =====

Navigation menu